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The haggard Qiang En wandered around penniless, carrying funny slogans all day, begging on the road for a living. It was not easy to meet a kind decorator with strange behavior and mysterious background, and finally got a place to live and a stable job. One day, Jon unexpectedly found several boxes of gold false teeth removed from the dead from the etiquette master's warehouse, and found that these precious metals were valuable treasures in the black market. How should Qiang En choose between the life saving kindness of your best friend and the huge interests of turning the fortunes upside down? The amazing wealth at your fingertips is the help of angels or the temptation of demons

Jingjing, a cold and withdrawn beauty, suffers from a rare dilated myocardial disease and needs to change her heart to survive. After some twists and turns, she successfully completed the heart changing operation. After the operation, Jingjing's physical condition and living habits began to change greatly, and her hobbies and personality also changed completely, like a changed person. Her normal life was completely disrupted

When the hero Huang Guangtai returned to his 10th birthday, he saw himself as a child, his friends who played with him as a child, and his girlfriend Xiaomei after him. He wanted to change his fate and prevent himself from playing with Xiaomei as a friend when he was a child. Maybe they will not be boyfriend and girlfriend when they grow up! Would not quarrel every day. But the beauty of childhood was simple. They faced difficulties together to make a good kite. What beauty said and did inspired him

Netflix will develop the Indian thriller"Guildy", which will be produced by Daramich and directed by Ruch Nalan

Kim, who came to Columbus from Seoul because of his father's coma, ran into Kathy, a local girl, and they started a tour of urban architecture, pouring out their anxiety and longing, gradually penetrating the cold building and opening the emotional cracks. In the face of the displacement of identity between residents and tourists, life and death come and go, they also learn to move and relocate themselves again in a new relationship like objects in space. The first feature film of video essayist Kogonada vividly demonstrates the sharpness of his lens language, such as the symmetrical and constant picture structure like modernist architecture, running through the low limit but potential plot, implying the essence of architectural space, which is actually a field where people's life and feelings germinate