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　　Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background
　　In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built.
　　Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs.
　　Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children.
　　Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents.
　　Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors.
　　A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.

H is an Indonesian migrant worker who escaped for more than a year. He likes to wander around and set up a worker's camp near his employer's farmland. At the same time, he took in a friend R who ran out of the metal processing factory and was almost caught by the police in the tea garden. R temporarily lives in a worker's camp and dare not go out. Tonight H received a phone call from her friend T, who ran out of the fruit factory and brought B from the auto parts factory. On the same night, helper E from the employer's house and helper D from the screw factory came to visit one after another, and the original workers of H had been spread

Written and directed by the son of Tarkovsky himself, the precious self narration of the director's father Tarkovsky runs through the whole film, and echoes each other with the poems of the poet's grandfather Alcheny, telling the film poet's philosophy and faith in facing art and life. It is even rarer to reveal Tarkovsky's interpretation of some works, leaving a note for his dreamlike image world
Based on the creation process of seven feature films and one short film, and the thinking and pursuit of film art, eight chapters link Tarkovsky's artistic creation and growth experience. Between the birth and death of his personal life, the poetic and spiritual nature flowing under the camera is as firm as a prayer, and will never fall. In addition to the inquiry of the truth of life and the meaning of creation, it also witnessed the artist's reluctance to part with his hometown. In the eyes of the director, in the flow of time, the father's figure is always bright< Br/>"I hope to lead the audience to see the source of his creation and share my feelings when interacting with him. He is a great artist, a great person, and my life mentor. He is my father." - Andrea Antakovsky

This film will tell the"grand, terrible and weird" scene of Stalin's funeral. This will be the latest montage film of Loznica, which will be completed later this year based on archive images. He said:"I have been studying a film that was shot from March 5 to 8, 1953. The film director includes Sergei Grasimov（ Сергей Герасимов） And Elia Copalin（ Илья Копалин）， However, films were banned after they were seen inside the Soviet government. It was not discovered again until the 1990s

　　A documentary film about the Brazilian town of Toritama, the self-proclaimed capital of jeans. The workers of the city’s self-managed small businesses only get one real break from their self-exploiting lives in the textile business: the annual Carnival
　　柏林电影节全景单元

The film goes deep into the Syrian war zone to film the life of local residents, and directly attacks the daily life under the war rubble, recording a young woman in Syria's struggle with love, war and motherhood in five years

In order to avoid the current air strikes on hospitals and chemical weapons attacks that have killed many victims, some Syrian medical personnel were forced to establish hidden underground hospitals to save the lives of patients and avoid the loss of medical personnel and equipment. Several chemical weapons attacks took place in Alghouta, Damascus, where staff set up an underground shelter called"Cave". Dr. Amani and her colleague Dr. Alaa, nurse Samaher and 18 other women were elected as the managing directors of the hospital, which has 80 employees. They face death every day as they try to save the lives of people in their towns and isolate and strengthen hospitals to prevent further attacks

This film won the Best Documentary Award and Panorama Unit Documentary Audience Award at the 67th Berlin Film Festival in 2017. By advertising in newspapers, the director searched for former Palestinian prisoners who had been imprisoned in the Maskubia interrogation center in Jerusalem, including craftsmen, architects or film practitioners. He rebuilt the interrogation room and prison according to the memories of the latter, and through discussing with these men the details of the interrogation scenes and prison facilities at that time, he made a role play shooting of his prison experience, and reproduced the inhuman humiliation and cruel treatment of these former Palestinian prisoners during their imprisonment in the form of drama