影片库
Born in the middle class, Nani (played by Nani) lives with his sister-in-law (played by Bumika). He and his girlfriend (Sai Paravi) live a happy life, but things suddenly change. Bumika is a government official, and she met a terrible criminal in Valangar (Nare Shwej). The second half of the story mainly tells how a simple man like Nani faced the terrible gangster and saved his sister-in-law
The haggard Qiang En wandered around penniless, carrying funny slogans all day, begging on the road for a living. It was not easy to meet a kind decorator with strange behavior and mysterious background, and finally got a place to live and a stable job. One day, Jon unexpectedly found several boxes of gold false teeth removed from the dead from the etiquette master's warehouse, and found that these precious metals were valuable treasures in the black market. How should Qiang En choose between the life saving kindness of your best friend and the huge interests of turning the fortunes upside down? The amazing wealth at your fingertips is the help of angels or the temptation of demons
Peter Parker (Tom Holland) is appreciated by the Iron Man Tony Stark (Robert Downey Jr., Jr.) after the Civil War. On the surface, Peter entered Tony's company and became an intern. In fact, he received various trainings with members of the Avenger Alliance. Although Tony appreciates Peter's bravery and integrity, he does not think that he has the strength to join the Federation at present. He sends a secret agent, Harpy (Jon Favreau), to observe secretly, which makes Peter very anxious to prove himself.
In the process of dealing with two bank robbers, Peter finds that the robbers use a new weapon that has never been seen before, He went into the enemy's back alone and found the backstage leader, the vulture (Michael Keaton). To his surprise, the vulture was the father of Liz, the girl he loved (Laura Harrier) p>
Kim, who came to Columbus from Seoul because of his father's coma, ran into Kathy, a local girl, and they started a tour of urban architecture, pouring out their anxiety and longing, gradually penetrating the cold building and opening the emotional cracks. In the face of the displacement of identity between residents and tourists, life and death come and go, they also learn to move and relocate themselves again in a new relationship like objects in space. The first feature film of video essayist Kogonada vividly demonstrates the sharpness of his lens language, such as the symmetrical and constant picture structure like modernist architecture, running through the low limit but potential plot, implying the essence of architectural space, which is actually a field where people's life and feelings germinate